Review: Buried: An Alternative History of the First Millennium in Britain by Alice Roberts

★★★★☆ | Book 18 of 2024 — another wonderful book from Alice Roberts highlighting stories of the dead in Britain, and what bones and burials can tell us about past people.


Buried: An Alternative History of the First Millennium in Britain by osteoarchaeologist and professor Alice Roberts is the second book in her trilogy unpacking Britains history through skeletal remains. Following from Ancestors which focuses on the prehistory of Britain in seven burials, Buried instead focuses on Britain in the first millennium CE, through Roman Britain, contact with the Vikings and the spread of Christianity across the country. Roberts utilises modern and up to date evidence including skeletal remains, archaeological evidence, and DNA research to interrogate what we know about Britain during this period, and how we know it.

Probably because it spans a period where there is more available evidence from various contexts, Buried, spends more time discussing the more general historical environment, and contextualising the burials within a wider picture. The first chapter delves into a fascinating Roman cremation burial at Caerleon called the ‘Caerleon pipe burial’ named so because of the lead pipe sticking out of the top of the lead canister full of cremated remains that would have once stuck out of the ground. Roberts discusses the potential explanations for this unique burial, while also highlighting the historical period of Roman Britain more broadly, and the history more specifically of Caerleon. You finish the chapter feeling as though you were taken along for the ride whilst Roberts evaluated the various possibilities of the person buried, and why they had a lead pipe connecting their burial to the living world above them.

This is the general set up for each chapter focussing on a different part of the United Kingdom, and a different burial. The second chapter explored a Roman villa associated with numerous infant burials, and another chapter introduces the overall concept of ‘deviant burials’ which essentially means irregular or strange burials, and this concept is introduced with the headless skeletons found at Great Whelnetham. These burials were decapitated, sometimes with the skulls found between the legs, and some were even prone or face down. Roberts discusses Anglo-Saxon history in Britain (and even delves into the issues of using the term ‘Anglo-Saxon’ in the first place) and broadens her discussion even further with the Staffordshire hoard and the issues archaeologists face when dealing with hoards of artefacts.

By the end of the book, after learning about Roman Britain, Anglo-Saxon history, Viking connections and even the very first churchyards used as cemeteries, the reader truly feels well versed in the various and wide-ranging burial practices that were utilised in Britain during the first millennium. I think Roberts does a wonderful job at connecting the modern reader with the ancient inhabitants of Britain, reminding us that they, like us, were individuals who lived lives that didn’t necessarily fit a mould, as highlighted with the range of burial goods, and the numerous deviant burials. A wonderful addition to this book was the colour images insert, and the lovely illustrations at the beginning of each chapter that set the reader up for the kind of burials and artefacts featured in the coming section. As with Ancestors, I feel like having maps throughout, or one map at the beginning highlighting all the areas discussed would be really beneficial, especially for those not from Britain.

Overall, this was a fascinating, well-written and insightful analysis of Britain in the first millennium, utilising the most recent evidence and the authors incredible expertise.

Review: Ancestors: a Prehistory of Britain in Seven Burials by Alice Roberts

★★★★☆.5 | Book 16 of 2024 — one for all my archaeology enthusiasts and those interested in what our bones can tell us.


Ancestors: a Prehistory of Britain in Seven Burials is a focused yet detailed look at the prehistory of Britain, and particularly what burials, skeletons, ancient DNA and human remains can reveal about the long-spanning time from the Palaeolithic right up to the Iron Age. Professor Alice Roberts is an osteoarchaeologist and physical anthropologist, and she brings her expertise in all things skeletal to the fore in this book. Roberts takes the reader on a journey through time and around the United Kingdom, from the Red Lady of Paviland Cave dating to the Palaeolithic to the Neolithic ‘Tomb of the Otters’, to visiting Rushmore Estate and essentially doing archaeology of archaeology, and exploring the possibilities of modern technologies and ancient DNA.
Alice Roberts has included so much information in this one book, analysing seven burials from Britain’s prehistory, but going far beyond just the skeletons and remains themselves, it’s quite astonishing. The author doesn’t simply explain the remains, the person likely buried and what we can learn from them, but goes beyond this to consider wider themes such as sex and gender, burial rites and customs, and cultural beliefs. Various modern archaeological techniques are explained and utilised including isotopic analysis, radiocarbon dating, and ancient DNA and genome testing.

Beyond this, Roberts highlights issues related to each of these burials, including preservation bias and explanations of different taphonomic processes affecting remains and the archaeological record more broadly, issues of confirmation bias and those biases archaeologists of the 19th and 20th centuries brought to their works and analyses, as well as the simple fact that often, we can ever truly be sure of many things when it comes to archaeology, and the importance of delving into each potential explanation.

As someone not from Britain, I personally got a bit lost with the whereabouts of cities, areas, and sites mentioned, but perhaps there are maps in the physical copy that supplement this. Further, the only detraction for listening to the audiobook is not having any sort of imagery to help illustrate points made by Roberts, but overall I would still recommend the audiobook. Roberts has such a great way of narrating that makes you feel like she’s bringing you along for the ride! Additionally, the book begins at the Crick Institute in May 2019 and spends the first chapter discussing the exciting new ancient DNA works with the sequencing of a thousand ancient genomes. However, because of COVID-19, the project was placed on hold which meant that the new DNA information was perhaps not available for this book - here’s hoping the second book Buried includes some of what I am sure will be fascinating discoveries!

When reading through this book, you not only get incredible archaeological and historical information about these burials, but you also get a firm understanding of the modern context of the remains (i.e. where they are kept, if there is modern research happening on them etc.), as well as their historical context. This includes who initially found the remains, how they were excavated and handled, and broad contextual information about the find site, essentially bridging between their discovery, and this book.

Roberts’ self-aware and detailed discussion and analysis of the burials, the associated grave goods, culture and history (both ancient and modern) coalesce into a detailed, informative and enjoyable book that all lovers of prehistory and archaeology should read.

Review: The Slavic Myths by Noah Charney and Svetlana Slapšak

★★★★☆.5 — I was provided a finished hardback copy from Thames and Hudson — thankyou!

Keep your eyes out for my interview with Noah and Svetlana that will be going up on YouTube with World History Encyclopedia very soon!


The Slavic Myths by historian Noah Charney and anthropologist and historian Svetlana Slapšak is a wonderfully written and beautifully illustrated book delving into various Slavic myths, gods, and supernatural figures and the history behind them. The Slavic Myths is structured in eight chapters, including the introduction to the book, and the Slav Epic. Each chapter includes a new retelling of a myth, reimagined by Noah and Svetlana, followed by a section on the history of the myth and numerous important features within it. This is not a compilation of everything we know about Slavic mythology, but instead, seven hand-picked stories accompanied by accessible academic analysis, allowing the reader, whether they be well versed in Slavic myth or brand new to the corpus of tales, to enjoy the stories, and if they wish, develop their understanding of the myths and history further. Readers of The Slavic Myths can read the book from cover to cover, or they can jump in and just read a chapter at a time — they can just stick to the compelling reimaginings of the chosen myths, or they can dive into the historical analysis of each section. Either way, with the book being a combination of retelling and non-fiction, it can be enjoyed by all!

Slavic mythology is not as clear cut as classical Greek and Roman mythology, there is no equating the Greek king of the gods Zeus with any king of the gods figure in Slavic traditions. Noah and Svetlana had a huge task ahead of them with this book, with Slavic mythology originating first as an oral tradition, and then only being written down in the 19th century, but with specific goals for lending authority and adding history to new cities, and overlain with Christian morals and motifs. As mentioned in the book, a ninth-century Slav would not necessarily recognise their myths today in the form they now take — however, Noah and Svetlana have essentially added a new layer to this ever-developing and rich corpus of stories, deities, and creatures.

This book was a wonderful introduction to Slavic mythology. Upon picking it up, I had a vague familiarity with Baba Yaga, her house with chicken legs, and the creatures of firebirds. Beyond that, I was completely unfamiliar with the Slavic pantheon, or the history behind the myths and tales. What really captured my attention (beyond the stunning woodcut imagery throughout the book), was the first creature, the vampire, which has its roots in Slavic myth. And not only that but in Slavic tradition, the vampire and the werewolf were intrinsically linked creatures! I learnt so much about the history and development of Slavic myths, and particularly enjoyed the analysis of folklore versus fairytales versus mythology, and the creation of myths with ‘mythurgy.’ I was intrigued to find parallels with classical Greek tales such as Jason and the Argonauts, to find hints of well-known fairytales such as Cinderella and her horrible stepmother and stepsisters, and aspects of Ovid’s Metamorphosis with the trials Venus has Psyche complete, all solidly within the world of Slavic mythology. I didn’t know that throwing a coin over my shoulder into a fountain or body of water originated as a Slavic ritual in fear of the dead — did you?

I could not recommend this book enough for those looking to dip their toe into some new myths, or for those who are looking to read a new version of their old favourite Slavic myth.

Review: Lost Cities of the Ancient World by Philip 'Maty' Matyszak

★★★★☆.5 | — I was provided a finished hardback copy from Thames and Hudson — thankyou!

You can also watch my interview with Maty all about this book on YouTube with World History Encyclopedia!


Lost Cities of the Ancient World by Dr Philip ‘Maty’ Matyszak compiles lost cities from around Europe, the Middle East and Asia into one volume, linking cities thousands of years and thousands of kilometres apart with the simple fact that in some way or another, they are or once were, lost. Following on from his earlier book Forgotten Peoples of the Ancient World, Maty introduces and reacquaints his readers with cities that were abandoned, sunk or destroyed many years ago, and he does so in an engaging and exciting way. This book, aimed at the general history enthusiast, still includes pieces of fascinating history that those acquainted with the sites might not know. Despite being familiar with many of the sites explored in the book, I not only learnt something new about many of them, but was also introduced to various sites I had never heard of. Of particular fascination to me are the submerged cities of antiquity, lost to us beneath the waves and rising seas, which made learning about Thonis in Egypt one of the highlights of this book.

Lost Cities is a book that is so wonderfully accessible, so vibrant and full of incredible imagery, but also informative and a joy to read. The book is split up into general time periods ranging from the Neolithic and oldest cities of Çatalhöyük and Skara Brae to cities within and on the edges of the Roman world. This book could be read from beginning to end, travelling in time and space, or you could just as easily dip in and out, reading of Troy one day, and Palmyra the next. With that in mind, it would be difficult for this book not to capture everyone’s interest in some way or another, with the wide range of sites and civilisations discussed.

Considering the geographical and temporal range of the book, each city is presented drawing on a range of available evidence. Each place is shown on a map, and followed by the introduction of archaeological, and where possible, textual evidence of the city. For example, when discussing the infamous city of Troy, Maty draws upon the Iliad to discuss the mythological importance of the city, and for the city of Persepolis, texts composed by Darius the Great highlight the city's political importance. Overall, the interconnectivity of the ancient world runs as an undercurrent to the book with an emphasis on the trade and movement of people, things, and ideas.

Much like Egyptian Mythology - A Travelers Guide from Aswan to Alexander by Garry Shaw, Maty not only introduces the history of a city, its humble beginnings, times of strength and its descent into obscurity, but he also includes the city today. Great for those who want to know if these cities are still physically lost, or may want to visit them one day to check for sure that they really have been found, Maty divulges the current state of the city, and what a tourist today could expect to see when on a visit. This book does a wonderful job of introducing the most important sites in the relevant regions that have been lost in some way or another, and brings them back into the public consciousness. I thought this was a wonderful book introducing numerous important cities from the ancient world and would recommend it to those who love the ancient world, and those who love a book with incredible imagery.

Review: The Story of Tutankhamun by Garry Shaw

★★★★☆.5 | paperback | book twenty-four of 2022 — I was provided a free paperback Advance Uncorrected Bound Proof, and finished hardback copy from Yale University Press — thankyou!


The Story of Tutankhamun by egyptologist Garry J. Shaw is a brilliantly written new biography of the boy king, spanning from his birth and early life under his father Akhenaten’s new religious regime, all the way up to his death and the discovery and subsequent treatment of his mummy and burial goods in the twenty-first century. This is truly a wonderful addition to the centenary celebration of the discovery of Tutankhamun’s tomb in 1922 by Howard Carter and Lord Carnarvon.

The Story of Tutankhamun undertakes a monumental challenge of synthesising everything that we do and do not know about Tutankhamun and displaying that information in a digestible manner that readers of all knowledge levels could not only understand, but enjoy. Shaw’s book utilises the most recent scholarship and scientific data to construct a hypothetical narrative of the boy king’s life, which I absolutely adored. Shaw draws on archaeological evidence, images, texts and all sorts of available data and research to reconstruct Tutankhamun’s life beginning in Amarna under pharaoh Akhenaten. If you aren’t familiar with the reign of Akhenaten, Egypt under this particular pharaoh was radically different as Akhenaten raised the sun disk the ‘Aten’ as the supreme deity of the region. He closed the temples and moved the capital of Egypt to Akhenaten (known today as Tell-el-Amarna). So, Tutankhamun was probably born in Amarna and was definitely born into a unique and radical time in ancient Egypt’s history. Shaw introduces us to how Tutankhamun's early life may have looked, and then goes on to give a really intimate look into just how difficult it would have been for the young boy (because he really was only a boy when he acme pharaoh), to navigate his years as king of Egypt.

Shaw then basically reconstructs the rest of Tutankhamun’s life, and the important things he undertook during his very short reign, and he does this by including as many of the artefacts found in the young king’s burial as possible. There is something deeply intimate about reconstructing the life of a boy who died over three-thousand years ago using artefacts that he would have owned, touched, used, and were deemed important enough to be buried with him to take to the next life.

Shaw doesn't finish his book at the death of Tutankhamun, but goes on to describe ancient Egypt after his death, and the following destruction of his name and image by his successors. Then, he moves thousands of years into the future, and to the incredible discovery of the tomb, and the mummy. I loved reading about the steps involved not only to the initial discovery and why it took so long to be found, but also the arduous and somewhat destructive process it was cataloguing and emptying the tomb.

This new biography of the young king doesn't necessarily add any new information to the wealth of knowledge of Tutankhamun, but that’s not the point. Garry Shaw has done a remarkable job synthesising everything we know and don’t know about Tutankhamun and created a compelling narrative-style breakdown of his life. This book is both a wonderful place for those who are new to Tutankhamun to learn about not only what was found, but how it may have been used during the king’s life, but with all of the recent scholarship to back it up. Not to mention the book is full of stunning colour images of artefacts and historical images which just adds to the tale.

If you are a lover of ancient Egypt, or you would like to learn a bit more about the household name Tutankhamun, then I could not recommend this book enough!

Review: The House with the Golden Door by Elodie Harper

★★★★★ — The House with the Golden Door was probably my most anticipated read for this year, and boy, I was not disappointed! Please do not read on if you haven’t read The Wolf Den.


The House with the Golden Door by Elodie Harper is the second in a trilogy, which began with my favourite read of 2021, The Wolf Den. I am always slightly hesitant when it comes to the second instalment of a trilogy, with many (Catching Fire excluded) often serving as nothing more than a stepping stone or filler to a grand conclusion. The House with the Golden Door, however, did not fall into this unfortunate phenomenon.

Historical Context

Elodie Harper has once again produced a captivating historical fiction novel that takes you right into the streets and the homes of ancient Pompeii. Set in 75 CE, Pompeii is still a thriving Roman town, looked on by Venus Pompeiana, the patron deity of the city. When reading this book, it feels like you are walking right alongside Amara, you can feel the heat beat down on you as she sits in her garden, you can feel the cobblestones as she walks the streets and you can almost see the detailed wall paintings described throughout the book. This is particularly interesting since in 79 CE, Mount Vesuvius erupted and the entire city of Pompeii (and the neighbouring city of Herculaneum) was covered in ash, preserving the daily life of ancient Romans in Pompeii.

First Writer: Lovers, like bees, live a honeyed life.

Second Writer: I wish.

— Pompeii Graffiti exchange (pg. 189)

Harper includes vivid detail of surviving wall art, architectural features and even whole buildings (like The Wolf Den which survives along with the erotic wall paintings). Harper continues to include snippets of graffiti from the walls of Pompeii, and introduces us to different homes and interiors. Harper has the distinct ability to use what survives of the ancient city, and the lives of those who once inhabited it, and bring it back to life, or, has given it a second life, a new life.

My Thoughts

This was a beautiful and heart-wrenching tale. As you know, this series of books follows Amara, a Greek woman who was sold into slavery and ended up as a prostitute in the brothel at Pompeii, known as the Lupanar or ‘Wolf Den.’ At the end of the previous instalment, poor Dido was killed, and Amara was freed by Pliny, and given a new home to live in by her Patron, Rufus. So although she was heartbroken with the death of her friend, having to leave her fellow women behind at the brothel and having to end her budding romance with a fellow slave Menander, she was feeling optimistic about her newfound freedom. Just because this book wasn’t set primarily in the brothel doesn’t mean it was a light and happy read. Amara has to be more courageous than she ever has before in the face of heartache and betrayal. Her friendships with the women she left behind don’t remain the same as when they were all at the same social standing, and the fluctuation of these personal relationships made this story feel all the more real.

The gods raised you to freedom. Treating slaves as equals only lowers you back to the gutter you came from.' (pg. 90)

The House with the Golden Door is an incredibly nuanced exploration of the social lives and class structure both in Pompeii and the wider Ancient Roman world. We see these social complexities all through the eyes of Amara, who is grappling with her own shifting status, now as a freedwoman, with slaves of her own, however still at the complete mercy of Rufus, and to another extent Felix. Harper delves into these social complexities by exploring the rules to be upheld and the social expectations to be maintained by a freedwoman, who wants to reclaim agency over her own life but is still restricted. I think what struck me early on was how believable it all felt. We as readers experience the conflicting aspects of Amara’s life, the intricacies of social relationships she has to uphold, and the deterioration of some of her friendships. To expect her relationships to stay static while she changes as a character in both status and mind, would feel false. However, Amara’s liminal role as a freedwoman dependant on a man whose love is dwindling and who knows intimately the life of a slave, traverses a new world of love, deceit and friendship that sees her continually grow in courage and strength.

I love the way Harper sets up her chapters. She prefaces each chapter with a quote, either from an ancient poet or writer, or graffiti found at Pompeii. These aren’t just random quotes, but they are imbued with the theme of the following chapter, and really set either the physical or emotional scene for Amara. These kinds of details absolutely blow me away, and it’s one of the main reasons why I adore this book (and its predecessor).

Have you read The House with the Golden Door or The Wolf Den? I would love to hear your thoughts in the comments below, or over on my Instagram @kell_read

Review: Venus & Aphrodite: History of a Goddess by Bettany Hughes

★★★★☆.5 I am only now getting into reading non-fiction books for fun, and not for uni or work so I’m still working on how I feel about rating them. With that being said, overall I really enjoyed reading this book.


What's the book about?

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Venus & Aphrodite: History of a Goddess by Bettany Hughes is a light, easy read which follows the history of the goddess best known as Venus or Aphrodite, from her beginnings to the modern reception of the goddess. Using archaeological evidence with textual sources and more recent artworks and literature, Bettany traces the origins of the goddess of love, and both her movements and developments through history.

As some will know, Aphrodite is the Ancient Greek goddess of love, desire, beauty and sexuality, and Venus is the Roman counterpart to Aphrodite, and held dominion over fertility, prostitution and victory. However, as Bettany delves into in the first few chapters of her book, Aphrodite didn’t just appear in the artwork and literature of Ancient Greece suddenly, but evolved from both the Cypriot spirit of procreation and fertility, as well as the Near Eastern goddesses of war Inanna, Astarte and Ishtar. Beginning from both the mythological beginnings of Aphrodite (with the castration of Ouranos, and the goddess emerging from the sea foam caused by the god’s genitals falling into the ocean), as well as the archaeological beginnings, and moving all the way through the renaissance depictions and the morphing of her dominions and depictions through to the modern-day, Bettany has provided an accessible and easy to read guide to the goddess and her history.

“A potent idea, given a name and a face across five millennia, this deity is the incarnation of fear as well as love, of pain as well as pleasure, of the agony and ecstasy of desire”

thoughts and feelings

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From the very first page, I knew this was going to be a far easier read than I was initially anticipating. Bettany has written this book as if she was just chatting to a mate, and honestly, I loved that. Although it initially caught me off guard, it made it so much more appealing, and tempted me to pick it up more often knowing that the language used was easygoing. The colloquial language, however, doesn’t take away from the importance of this goddess, and her significance throughout history, especially in ancient civilisations. What Bettany has done, is a thorough investigation on the goddess, and then turned that hard evidence into a book that is easily understood and accessible to anyone. Bettany has achieved the goal of bringing archaeological and historical facts into the world in an easy to read and enjoyable book, and I love it! Her addition of images throughout the book, both in black and white dispersed through the book, and in the middle which is full of coloured images, makes it all the more interesting, especially in the discussions around the changes in the physical depictions of the goddess.

“It [desire] is the life force that spurs us on to do, to be, to think.”

I love that it was a short, easy read. It means that there’s a far better chance that more people will pick it up (and I love the idea that the ancient world is becoming something more open and available). But, some points Bettany made, I felt like I wanted more evidence that backed up her conclusion. I am sure that she has done her research, and I don’t doubt any of the statements or conclusions she has come to in this fascinating history, but I would have loved just a bit more depth into some of the evidence (whether it be archaeological or textual), that she has used to form her conclusions. In saying that, I always want more out of my books, and I commend her for making this book so full of information, and yet so easy to read.

I definitely feel like the goddess Aphrodite/Venus has been simplified into the goddess of sex and desire with little substance, and this book is out here to remind the world that she is so much more. Bettany explores the goddesses roots in the war-goddesses of the Near East (Inanna, Ishtar and Astarte), and brings to the forefront the seemingly contradictory beginnings of this goddess through love, desire and war. This book details just how much the attitudes towards the goddess has developed throughout the millennia, and what her body and her symbols have meant throughout the years. The complexities of Aphrodite/Venus have been written and painted out of history in the last thousand years, and this book is bringing back the intricacy of this goddess, which will hopefully culminate in the respect and adoration she deserves.

Have you read Venus & Aphrodite: History of a Goddess by Bettany Hughes? What did you think of it? I would love to chat about this book, either in the comments below, or find me over on Instagram @kell_read.

Review: The Odyssey by Homer (Translated by E.V. Rieu)

★★★★★

It does no good to utter empty words

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I have been meaning to read this for a very long time, and now that I have, I wish I’d read it sooner. It was such an enjoyable read, and far easier to consume than I anticipated. I wish I had read it sooner, so that I could have known the entire story sooner, and engaged with this sources and its myths sooner. Before I get into my many thoughts, let’s have a look at the long history which encompasses the Odyssey. The Odyssey is a form of epic poetry which was written down in the 8th century BCE, however its history would date earlier than that, since its roots are in the oral tradition of Ancient Greece. This story would have initially been spoken orally before finally being written down. The story has been attributed to Homer, but is placed closer to the end of his life, since the style of it is a bit different than that of the Iliad, but it still contains classic Homeric features such as the repetition of epithets, phrases, and descriptors throughout the story. At it’s core, the Odyssey still retains its inherent Homeric-ness.

What is the Odyssey all about?

In summary, the Odyssey recounts the arduous, ten year voyage of Odysseus from Troy after the Trojan War, to his home in Ithaca. Overall, Odysseus was away for 20 years; 10 years at war and 10 years to get home. His voyage is full of adventures, mishaps and truly horrible events, and the 12,000 line poem recounts his journey, as well as the situation at home with his son Telemachus and wife Penelope. As Odysseus (our hero of the story), meets sorceresses who turn his men into pigs, travels to the underworld to talk to the ghosts of his friends, meets bloodthirsty cyclops and gets trapped on an enchanted island for 7 years (among other adventures), his wife Penelope is at home keeping many suitors at bay who wish to marry her under the assumption that Odysseus is not coming home. The men are eating Penelope and Telemachus out of house and home, and after 3 years, Telemachus goes to Pylos and Sparta to learn of any news Menelaus and Nestor may know of his father. When Odysseus returns to Ithaca, he is disguised as an old man by Athena, and pretends to be someone else until he gets the chance to kill the suitors and show himself to his patient wife.

There is a time for long tales, and there is a time for sleep

11.379

My Chaotic Thoughts

Right from the get go, I found this to be an easier read than the Iliad, although I thought that the first four books focussing solely on Telemachus (known as the Telemachy) was a bit boring. It definitely helped that I was prepared for Odysseus’ story to start after the first four books, though, so here’s your warning that it takes a bit to really get into the juicy bits. I found it so interesting that the story starts not at the beginning of Odysseus’ journey, but close to the end of it, and we learn about his misadventures as he tells his story to Alcinous of the Phaeacians. I loved the books detailing Odysseus’ journey, they were thrilling and somewhat disastrous, and I enjoyed it so much! His men though, were SO frustrating 😂 Here’s a run down of one of their adventures:

Odysseus: don’t eat the cows, they’re sacred.

His Men: okay …

Odysseus: wtf where’d this meat come from?

His Men: we ate some cows

Odysseus: *face palm*

Like, I couldn’t deal with them 😂😂 The section with Polyphemus was brutal and bloodthirsty, but Odysseus really was a smart cookie. The whole ‘nobody’ ruse (which I already knew from Percy Jackson, so thanks for that Rick), was clever and such a genius way out of a difficult situation! I was sort of expecting more in the section where Odysseus gets tied to his ship so he can listen to the sirens, so that was a bit anti climactic, but the rest was action packed and very enjoyable. I also thought, despite it being a prose translation, the whole thing still had such a poetic rhythm to it. Very well done in the translation department I think! I was also so surprised how much of the Odyssey was inspiration for the Percy Jackson books. I almost think that I enjoyed this story more, knowing how it’s been used as inspiration more than 2,000 years after it was written down! Towards the ending, we get more of Penelope and I loved it. I thought she was a bright, clever and perceptive woman who was strong, and kept her home and her son safe as best as she could. I thoroughly understand why she was seen as this ‘ideal woman’ in Ancient Greece, although definitely not for the same reasons they thought.

What a lamentable thing it is that men should blame the gods and regard us as the source of their troubles, when it is their own transgressions which bring them suffering that was not their destiny.

1. 33-34

This quote, from the VERY beginning of the epic really stuck with me throughout the reading of it. So many times did Odysseus and others blame their misfortunes on the gods, rather than their own choices and actions. For example here’s this quote '‘Father Zeus, you are the cruellest of gods. You have no compunction about dealing out misfortunes, misery and suffering to us men; yet it was you who caused up to be born’ (20.201-203). I mean, they blame everything on the gods, as if they have no free will, and of course they have the Fates, who they believed controlled the destinies of men, but still. It's so interesting to read their complete disbelief that the gods would treat them so badly, or cause such misfortune as if they forced every choice and action! The whole fate vs free-will concept in this epic is truly fascinating, and when I re-read it, it is definitely something I want to keep at the forefront of my mind.

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Of course, I couldn’t help but comment on the way that women were talked about, referred to and treated in this story. One of the most hypocritical comments came from Agamemnon (what a shock… not!) who doesn’t hold back when talking about his wife and his death. When Agamemnon returned from Troy, he learnt that his wife had taken a lover, Aegisthus, and upon his arrival at Mycenae, he was killed by his wife, as was his concubine Cassandra. So, naturally, when Odysseus went to Hades, Agamemnon took the chance to whine to him about Clytemnestra the ‘treacherous schemer.’ Agamemnon states that ‘there is nothing more degraded or shameful than a woman who can contemplate and carry out deeds like the hideous crime of murdering the husband of her youth’ (11.428-430) and ‘in the depth of her villainy, she has branded with infamy not herself alone but the whole of her sex, even the virtuous ones, for all time to come’ (11.433-435). Not to mention that because of ‘women’s crooked ways’ (11.438) they are no longer to be trusted! So, let’s keep in mind that all of this, is coming from the man who literally KILLED THEIR DAUGHTER on the way to Troy, because HE had insulted Artemis (and also literally brought BACK a concubine from the war). Honestly, these men are such hypocrites and boy does it bug me 😂 Don’t even get me started on the way Telemachus speaks to his mother and the way Odysseus treats the maids and women who work for his household. The translation also uses the word ‘bitch’ as a descriptive of women quite a lot in this book, and I would be interested to know what the original word in Greek was. It seems like quite a violent word, and it was really jarring every time it was used, which was often thrown directly towards the woman in question. If anyone knows the Greek word used please let me know!!! One last point here, is at the very end, prior to killing the twelve women that Odysseus believes were disloyal to him and his home in the TWENTY years he was gone, he tells them to clean up the corpses of the suitors with the knowledge that they were about to die. That whole scene was barbaric and horrible and honestly, by the end of this story, I did not see Odysseus as a true hero, but definitely more morally grey than initially anticipated.

However, it is important to remember that we are reading these ancient epics from a completely different time than when they were composed, and it’s impossible to read these without bias, simply because there’s been over 2,000 years worth of change and development in the world since they were composed. BUT, this doesn’t mean you can’t have ISSUES with these stories, I mean really, you should have issues with them! They are working in an intrinsically misogynistic time which can be seen from the language and treatment used towards the women alone.

This is by no means all my thoughts, but they are the most prevalent ones that I wanted to write down! I would love to hear your thoughts and opinions on this epic! Did you enjoy it? Did you like it more than the Iliad? Lemme know in the comments or come find me on Instagram @kell_read!

Review: The Porpoise by Mark Haddon

★★★★★

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The Porpoise is a novel that seamlessly intertwines a modern tale with an ancient story. After Philipe’s wife is killed in a plane crash and their daughter Angelica survives, the wealthy father raises his daughter in near isolation. Although she wants for nothing, the father-daughter duo is not as it appears from outside eyes. When Darius stumbles into a far darker and troubled home than he was anticipating, he flees the house and the girl in desperate need of help. It is at this point that the ancient story of Pericles, Prince of Tyre, a story which dates back to Ancient Greece, is woven into the novel as easily as taking a breath. From this moment you are transported from present-day to ancient history, from consciousness to consciousness in a truly unforgettable way.

She recounts these tales to herself in idle moments, inevitably changing them a little every time and comes to believe, in some occult way, that these are stories of her own invention, that she is bringing these lives into being, as if she is one of the Fates, those supernatural women who make and cut the thread of life.

Mark Haddon

It is incredibly hard to put into words how I feel about this book. For most of the time, I was like ‘?????’ But also actively enjoying it. Haddon’s prose is stunning. It ebbs and flows in a way that makes you feel steady amidst a novel so busy. His language is whimsical in a sense that the perfect words have been chosen to convey the dreamlike, or almost, an intangible sense that nothing is as it seems. To say that this book doesn't give you a break is an understatement. From page 1 you know that this is going to be unlike anything you’ve ever read before.

She can see it clearly now. Everyone inhabits a different world.

Mark Haddon

The Porpoise effortlessly blends the modern with ancient. It’s split into five sections and has no chapters, but often changes in time are marked by a paragraph marker. I think this was such a brilliant way to keep the novel flowing as one continuous story. To have chapters splitting up time and space would have made it feel clunky and wrong, but this way, you simply glide from one time to the next, letting the story take you with it. The novel is a retelling of a Greek myth that no longer survives and incorporates the play written by Willian Shakespeare and George Wilkins; Pericles, Prince of Tyre. I’m not sure whether being familiar with the myth and the play will work to your advantage when reading this book, but I loved going into it completely without bias. Haddon had full rein over this myth, since there is no ancient source to work with, and what he has done with it is truly incomparable. The writing is mesmerising and the characters are all so unique and utterly human. They’re flawed, often they’re morally grey, and together, they convey the spectrum of the human condition.

She likes the idea that death did not come to take him away but that he decided to go and meet it.

Mark Haddon

Once again I have written the most chaotic book review to ever exist, but It’s impossible to get into any plot point or even character in this novel without giving something away. It is unlike anything I have ever read before, but I implore you to read this book.

Review: The Iliad by Homer (translation by E.V. Rieu)

★★★★☆

— Okay so I do go through the main plot of the Trojan War, so I guess there are spoilers? But also, this story is over 2000 years old so if you don’t want to know the main events of the Iliad don’t read this review —

The start of my relationship with the Iliad didn’t go so well, which is why I have only now just finished it and didn’t read it all throughout my three-year Ancient History degree or honours year. In 2018 I picked it up for the first time, I struggled, I put it down after the damned Book 4 catalogue of the ships and never read anymore. I pretty much just gave up on it. I left it in my ‘currently reading’ on Goodreads for over a year until I took it off, knowing I wasn’t going to pick it back up. 

In August last year (2020), I thought to myself, this is dumb, it’s time to pick the Iliad back up and give it another try. You’re older and wiser now (lol), you can do this. So I picked it up, I got back into it (I skipped the catalogue of the ships though), and then about 50% of the way through, I put it down and didn’t pick it back up for months. Every now and then I’d pick it up, read a section and then put it down. Until about a week ago. I picked it up, and I started reading it. And I kept reading it, and I finished it in about 4 days. Maybe I wasn’t in the right headspace, or maybe I just kept wanting books that I didn’t have to focus so much on, or maybe the second half of the Iliad is just way better than the first half (that’s what I reckon), because honestly, I loved it. 

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So, after all that! After trying to read it for literally YEARS, I ended up loving it. It’s weird. So let’s get into this! The Iliad, by Homer is an early epic poem from Ancient Greece. It is believed to have been written down for the first time in the 8th century BCE, but would have been a well-known tale by then. It was initially part of the rich culture of oral poetry in Ancient Greece before being written down. This concept of oral poetry would have meant regions may have adapted and changed parts based on their city and culture which is such a fascinating phenomenon. There is also the idea that Homer was not actually one person but a whole bunch of people, but that is definitely something for another day. 

The Iliad tells the tale of the last year of the Trojan War, which had been raging for 9 years prior to the beginning of this book. The Trojan war started because Paris, the son of Priam the king of Troy, abducted Helen, the wife of Menelaus who was the brother of Agamemnon, king of Mycenae. Now obviously, Menelaus wasn’t okay with his wife being whisked off (voluntarily or against her will is also a topic for another day, and one that is still highly popular in discussions of the Trojan War), and so he pretty much rallied all the blokes he could from as many cities as possible to help him get Helen back. A lot of fighting happens, and the Iliad ends after the body of Hector (who has been killed by Achilles in response to Hector killing Patroclus) is returned to his family and wife. So that’s a simplified summary of the 10-year war. 

To the book! It was always so interesting reading this and remembering that this would have initially been spoken, not read. I absolutely loved keeping that in my mind whilst I read it, especially when passages were repeated and the use of epithets. You can only assume that these were features to keep it easier to memorise and relay to a crowd of people listening! The translation by E.V. Rieu was so wonderful, it was easy to read but didn’t feel to modern or jarring. I thought it really brought the story to life in a compelling way. 

I am not a fan of war books, I never have been and probably never will be. The fact that this documents the last year of the Trojan War wasn’t a good omen for me. I wouldn’t say that this is a traditional war book though, and honestly, the Greek gods are absolutely my favourite part of this. They are so vindictive, jealousy prone and downright human. They made me laugh so many times, they had childish feuds and are honestly just the most dysfunctional family you could imagine, and I am here for it. If you’re on the fence about it, read it if only for the part that Hera calls Artemis a ‘shameless bitch’ lol. 

The grief Achilles felt for the death of his closest friend and love, Patroclus, was palpable through the words. It was so raw, and the fact that he was wailing and displaying his grief in quite a feminine way was really interesting. The physical lament of pulling at hair and clothes was a tradition commonly observed by grieving women, so having Achilles, the greatest warrior of the Achaeans lamenting Patroclus in that way must have been a very explicit decision. I really would like to one day have my Ancient Greek abilities good enough that I could read this in the Greek. Anyone who thinks they weren’t lovers obviously hasn’t read the Iliad. I wouldn’t want my ashes to be buried in the same golden urn as someone who was just my super close friend. 

It’s hard to review a book that has over 2000 years’ worth of legendary history woven into it, but I thought it was such a great read (well definitely the last 50%). Reading how the citizens of Ancient Greece would have been living their lives in regards to their belief in the Greek gods is so incredibly interesting. How an arrow will go straight as long as you remember to sacrifice a young lamb in honour of Phoebus Apollo, as seen in Book 23 or if they have a favourite mortal, they will ferry them to safety without being asked. The complete incorporation of the Greek gods in the lives of every man and woman in this book is so striking. 

They’re my main thoughts and feelings about the Iliad, but I’m sure I’ll keep talking about it for a long long time, especially since I’d like to read different translations of it. I can’t wait to sink my teeth into the Odyssey, and also Stephen Fry’s Troy. Have you read the Iliad? Which translation was it and did you enjoy it?? Lemme know! ❤️

Review: Theogony and Works + Days by Hesiod

★★★★☆

Theogony and Works + Days are both epic poems from the rich history of Greek epic poetry. They are dated to the 8th century BCE and credited to the greek poet Hesiod. Prior to being written down, these two epic poems were part of the oral traditions of Ancient Greece such as Homer’s Iliad and Odyssey, and would have been written down later than their initial telling by Hesiod. 

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The Theogony, which comes from the Greek word ‘theogonia‘ meaning ‘birth [or generations] of the gods’ is aptly named since it is primarily concerned with describing how the universe came into being, and the genealogy of the titans, gods, monsters, nymphs, dryads, demigods and everything in-between. From chaos or chasm, came the Earth, misty Tartarus, Eros (the god of sexual love), Erebos, and Night. From them came Air and Day, starry Heaven, Mountains, Nymphs and the Oceanus. It all pretty much escalates from there. 

This founding myth of the creation of the universe is the cosmogony of Ancient Greece, and explains just how the universe came into being, and why things are. It’s honestly such an interesting read, I really enjoyed it. I loved the interconnectedness of the primordial gods to the rest of their offspring and beyond. Comments about how parts of the Theogony were from specific regions, and regional myths is so fascinating, and the fact that we have the knowledge that sections of the text would have been added in later blows my mind! This piece of work is over 2600 years old, and yet it can still be enjoyed in the modern day. 

The themes of power + violence, cycles of succession and family are so prominent in the work and are all interconnected within each other. These themes absolutely transcend time, with violence and power being hand in hand in our current political climate, although hopefully, we are on an upward trajectory away from that damaging time. Family remains as a massively important concept in the modern world, and it is often a device used in literary and cinematic works! This synthesis of such a massive variety of Greek myths and legends concerning gods and the universe needs to be appreciated more! 

The Works + Days though… not so much. This was definitely an interesting text, although not as enjoyable. It is very clearly split into different concepts which could only be read as a rule book of sorts. Sections such as myths and fables, works (evil is easy but virtue is hard), a calendar which tells the best time to plant + harvest crops, a calendar on when is best to travel by sea, advice on family management and a section at the end about days and basically which days to do things, and which days to not. It is definitely very intriguing, but not as fun to read. 

Works + Days is the first extant account of the concept of the ‘five stages of man’ which incorporates the Golden Age, Silver Age, Bronze Age, the age of heroes and the Iron Age which is the age of Hesiod’s life. It is a Greek creation myth which essentially traces back the history of man through five stages, or races until it gets to the current stage. We also get the earliest written account of Pandora and her pithos (yeah, it was a jar not a box, sorry). Essentially, Hesiod says that women are the punishment of man, and because Pandora spilled the contents of her jar, the world is plagues by illness and all sorts of evils. When Pandora was created, she was bestowed traits by the gods and goddesses of Olympus including the skills of weaving, a deceitful nature and shameless mind and lies and crafty words. From this alone, you can understand the general attitudes towards women in Ancient Greece. 

Not only that, but I really hated reading the section about how men are ready for marriage at around 30 years old, but women (basically still girls), are perfect five years after menstruation began. So for some, as early as 15/16 years old. It’s easy to gloss over uncomfortable and confronting views and beliefs from the ancient world, but it is SO important to acknowledge that there was real issues, just as there is today. It’s okay to read a piece of classical literature and be uncomfortable! 

So, overall, I enjoyed reading these two works! They give us SO much information on Ancient Greek beliefs and understanding of the world around them, and of general ideas of everyday life as a farmer. They are really interesting pieces, fairly easy to read and plenty of notes to supplement the reading as you go. I would definitely recommend reading these if you’re a fan of Greek Mythology and the ancient world!