Review: The Slavic Myths by Noah Charney and Svetlana Slapšak

★★★★☆.5 — I was provided a finished hardback copy from Thames and Hudson — thankyou!

Keep your eyes out for my interview with Noah and Svetlana that will be going up on YouTube with World History Encyclopedia very soon!

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The Slavic Myths by historian Noah Charney and anthropologist and historian Svetlana Slapšak is a wonderfully written and beautifully illustrated book delving into various Slavic myths, gods, and supernatural figures and the history behind them. The Slavic Myths is structured in eight chapters, including the introduction to the book, and the Slav Epic. Each chapter includes a new retelling of a myth, reimagined by Noah and Svetlana, followed by a section on the history of the myth and numerous important features within it. This is not a compilation of everything we know about Slavic mythology, but instead, seven hand-picked stories accompanied by accessible academic analysis, allowing the reader, whether they be well versed in Slavic myth or brand new to the corpus of tales, to enjoy the stories, and if they wish, develop their understanding of the myths and history further. Readers of The Slavic Myths can read the book from cover to cover, or they can jump in and just read a chapter at a time — they can just stick to the compelling reimaginings of the chosen myths, or they can dive into the historical analysis of each section. Either way, with the book being a combination of retelling and non-fiction, it can be enjoyed by all!

Slavic mythology is not as clear cut as classical Greek and Roman mythology, there is no equating the Greek king of the gods Zeus with any king of the gods figure in Slavic traditions. Noah and Svetlana had a huge task ahead of them with this book, with Slavic mythology originating first as an oral tradition, and then only being written down in the 19th century, but with specific goals for lending authority and adding history to new cities, and overlain with Christian morals and motifs. As mentioned in the book, a ninth-century Slav would not necessarily recognise their myths today in the form they now take — however, Noah and Svetlana have essentially added a new layer to this ever-developing and rich corpus of stories, deities, and creatures.

This book was a wonderful introduction to Slavic mythology. Upon picking it up, I had a vague familiarity with Baba Yaga, her house with chicken legs, and the creatures of firebirds. Beyond that, I was completely unfamiliar with the Slavic pantheon, or the history behind the myths and tales. What really captured my attention (beyond the stunning woodcut imagery throughout the book), was the first creature, the vampire, which has its roots in Slavic myth. And not only that but in Slavic tradition, the vampire and the werewolf were intrinsically linked creatures! I learnt so much about the history and development of Slavic myths, and particularly enjoyed the analysis of folklore versus fairytales versus mythology, and the creation of myths with ‘mythurgy.’ I was intrigued to find parallels with classical Greek tales such as Jason and the Argonauts, to find hints of well-known fairytales such as Cinderella and her horrible stepmother and stepsisters, and aspects of Ovid’s Metamorphosis with the trials Venus has Psyche complete, all solidly within the world of Slavic mythology. I didn’t know that throwing a coin over my shoulder into a fountain or body of water originated as a Slavic ritual in fear of the dead — did you?

I could not recommend this book enough for those looking to dip their toe into some new myths, or for those who are looking to read a new version of their old favourite Slavic myth.

Review: Lost Cities of the Ancient World by Philip 'Maty' Matyszak

★★★★☆.5 | — I was provided a finished hardback copy from Thames and Hudson — thankyou!

You can also watch my interview with Maty all about this book on YouTube with World History Encyclopedia!

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Lost Cities of the Ancient World by Dr Philip ‘Maty’ Matyszak compiles lost cities from around Europe, the Middle East and Asia into one volume, linking cities thousands of years and thousands of kilometres apart with the simple fact that in some way or another, they are or once were, lost. Following on from his earlier book Forgotten Peoples of the Ancient World, Maty introduces and reacquaints his readers with cities that were abandoned, sunk or destroyed many years ago, and he does so in an engaging and exciting way. This book, aimed at the general history enthusiast, still includes pieces of fascinating history that those acquainted with the sites might not know. Despite being familiar with many of the sites explored in the book, I not only learnt something new about many of them, but was also introduced to various sites I had never heard of. Of particular fascination to me are the submerged cities of antiquity, lost to us beneath the waves and rising seas, which made learning about Thonis in Egypt one of the highlights of this book.

Lost Cities is a book that is so wonderfully accessible, so vibrant and full of incredible imagery, but also informative and a joy to read. The book is split up into general time periods ranging from the Neolithic and oldest cities of Çatalhöyük and Skara Brae to cities within and on the edges of the Roman world. This book could be read from beginning to end, travelling in time and space, or you could just as easily dip in and out, reading of Troy one day, and Palmyra the next. With that in mind, it would be difficult for this book not to capture everyone’s interest in some way or another, with the wide range of sites and civilisations discussed.

Considering the geographical and temporal range of the book, each city is presented drawing on a range of available evidence. Each place is shown on a map, and followed by the introduction of archaeological, and where possible, textual evidence of the city. For example, when discussing the infamous city of Troy, Maty draws upon the Iliad to discuss the mythological importance of the city, and for the city of Persepolis, texts composed by Darius the Great highlight the city's political importance. Overall, the interconnectivity of the ancient world runs as an undercurrent to the book with an emphasis on the trade and movement of people, things, and ideas.

Much like Egyptian Mythology - A Travelers Guide from Aswan to Alexander by Garry Shaw, Maty not only introduces the history of a city, its humble beginnings, times of strength and its descent into obscurity, but he also includes the city today. Great for those who want to know if these cities are still physically lost, or may want to visit them one day to check for sure that they really have been found, Maty divulges the current state of the city, and what a tourist today could expect to see when on a visit. This book does a wonderful job of introducing the most important sites in the relevant regions that have been lost in some way or another, and brings them back into the public consciousness. I thought this was a wonderful book introducing numerous important cities from the ancient world and would recommend it to those who love the ancient world, and those who love a book with incredible imagery.

Review: The Celtic Myths That Shape the Way We Think by Mark Williams

★★★☆☆.75 I was provided a copy of The Celtic Myths That Shape the Way We Think by Thames and Hudson.

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What is the book about?

The Celtic Myths That Shape the Way We Think by Mark Williams is a new look at the history and development of the tales at the centre of Celtic Mythology. Not only that, but he highlights the issues surrounding them, and ways in which they have been retold and reimagined for millennia. By the time the ‘Celtic myths’ were written down in the Middle Ages, not only were they already hundreds of years old, but were written after the influence of the Catholic Church. Williams works from the roots of these tales, he interrogates the sources in which we have drawn these legends and stories from, and unpacks the multiple meanings of, and the cultural impacts made by these legends.

Irish saga is remarkable for the richness and agency of its female characters. (171)

Thoughts and feelings

It is clear that this book has been researched, developed and written by someone with an incredible depth of knowledge and understanding both of the languages he is working with, and the entire corpus of source material. One of the highlights of this book is the times in which Williams includes his own translations to the tales in focus, which will definitely help the lay reader (me). It is these times that it becomes clear that you are reading a book written by a person who could not be more qualified to do so, not to mentioned the translated snippets were so helpful for someone like me who isn’t familiar with the tales focussed on in the book. Williams takes you on a journey through Celtic mythology, with first introducing what Celtic mythology is (which is especially important given that the writings of Celtic mythology all come from the medieval ages, and the term ‘Celtic’ is a very broad term), and then dives into well known figures like Arthur and Merlin, and perhaps less well known figures like Branwen, Cú Chulainn and Blodeuwedd. As William puts it in his introduction to The Nature of Celtic Mythology:

…for us, as for many heroes in Welsh and Irish tales, there is a fall of mist, and we find we have to enter an unfamiliar world with different rules. (7)

I’m torn with this book, because on the one hand I really enjoyed reading it, but on the other, I wish I knew more about the general history of England, Ireland, Scotland and Wales and their development of mythology and literature before jumping into this book. You can definitely enjoy it and get a lot out of it without any preexisting knowledge on Celtic literature and mythology, but Williams truly deep dives into the cultural history and impact of these legends as well as the development of the tales that you would definitely get more out of it if you were already at least familiar with the characters and stories he explores. Even just having some sort of familiarity with the Celtic/Irish/Welsh languages you will have an easier time reading it for the pure fact that you won’t get all the names and characters mixed up like I did. There is a pronunciation guide at the back though, which was so incredibly helpful though, a good touch and very appreciated! Every now and then Williams made some really fascinating comparisons to other ancient literature, like the parallels between The Aeneid and Rome’s founding story and Britains founding story in Chapter Four titled ‘Brutus,’ as well as the comparison between the tale of Deirdriu in Chapter Nine (‘The Celtic Love Triangle’) and the structure and features of Greek tragedy.

Once again we are reminded that what we call ‘Celtic mythology’ is not a pure substance handed down from the pagan past, but a rich amalgam that developed over centuries.’ (213)

This quote really encapsulates the essence of William’s book - he is both introducing stories and characters that may or may not have been developed in the ‘pagan past,’ and aims to reconcile what we do know about it, how we know it, and how we came to think about these particular tales and characters in the modern day. Truly, this is a monumental task, and the sheer amount of information in this book is unfathomable.

The book itself is beautiful, with green foiling on the naked hardback and a beautifully designed dusk cover and end pages. It is also gotten with images, both coloured and black and white which is always a plus for me! There were a few grammatical errors in this book, and it’s not like, one time a word is misspelled which happens in most books - but at one point a character had her name spelt three different ways on one page. A couple of times it felt like words were missing, and there were sentences that seemed to be cut off and unfinished. These were scattered throughout the book and although overall it didn't affect my ability to understand what was going on, it just feels like it might have needed one more edit to pick up on these errors prior to publication.

We must remember that these stories are not myths, though there is definite myth in them: they are medieval tales, written in medieval Irish for a medieval audience. (252)

The Celtic Myths That Shape the Way We Think is now available to purchase, and I would recommend this book to those who are looking to really sink their teeth into the intricate and layered history of Celtic Mythology, it’s development, history and prevalence in modern day pop culture.

Review: Egyptian Mythology - A Travelers Guide from Aswan to Alexandria by Garry J. Shaw

★★★★☆ I was provided a hardback edition of this book by Thames and Hudson.

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What is the book about?

Egyptian Mythology: A Travelers Guide from Aswan to Alexandria by Egyptologist Garry Shaw takes you on a journey up the Nile as if on a tour of Egypt’s most historically rich and important sites. This tour up the Nile transports you to Ancient Egypt with evocative imagery and descriptions of what the landscape once looked like. Shaw has gone to great lengths to synthesise the fragments of texts, the wall paintings, and the surviving archaeology to present the gods, goddesses, myths and legends of each of the main sites on his tour. This includes different versions myths, the layout of building and temples long since ruined and how these deities were worshipped and praised. At the end of each chapter, after delving into the mythological history and the way it shaped the lives of the sites population, Shaw provides a quick overview of the history of the site, and what you can expect to find today. This section gives tips on what to see when visiting the ruins today.

All the best tales are fluid, reshaped again and again by storytellers for their readers or listeners.

My thoughts about the book

As with every single non fiction book I read, it took me a bit to get into the flow of it, but once I got used to it, I was hooked. Shaw has completed a monumental task, and he has done a superb job of it. He begins the book with the section titled Preparing for a Journey Along the Nile, in which he proceeds not only to describe the journey you are about to take, but takes you through terminology and chronology that you will help in your reading journey. Written as if you are about to truly set sail down the Nile River, Shaw’s poignant writing style truly makes you feel as if you’re about to embark on a great adventure through Egypt’s long history.

Each chapter begins with a snapshot into the site as it is today, with beautiful descriptive language describing what you would hear, smell and feel if you were standing at the site right now. Shaw then delves into the history of the site, Pharaoh’s who ruled, and the main gods venerated. He explores the multitudes of myths associated with the site as well as the main gods and goddesses venerated at the site. He doesn’t settle with just the main myth, no. Shaw goes on to describe fragments of myths, variations of well known tales and ways in which the central deities of this site were viewed, worshipped and developed throughout the history of the site, and Egypt. Of course, many myths and sites overlap, and notes in the text linking the stories to other chapters makes it easy to cross between the two sections. At the end of each chapter not only is each site looked at in history and today with a whistlestop rundown of the overall history of the site, but Shaw gives you handy tips for visiting the site today. This includes things to see, how long it takes to get places and things to look out for. On top of all of that, there is also a handy table at the end of each chapter which highlights the key dates and remains of the site.

Every stone, hill, temple and town that you pass as you fly over the land has a meaning, tied to the actions of divine forces.

I absolutely loved reading this book. Not only is it incredibly in depth with it’s stories of myths and tales from each site, but Shaw has written it in such an accessible and intriguing way. As you read it, you get hilarious comments from Shaw as if he were giving you a tour of the site, or telling you the myth in person. It makes the book all the more enjoyable, and a bunch of times his commentary was exactly what I was thinking! Egyptian Mythology is far less structured than that of Greece or Rome, gods turn into other gods, and they change and develop throughout time. Shaw has made Egyptian Mythology incredibly digestible, whilst linking it all to present-day Egypt in a unique and entertaining way. Any lover of Egyptian Mythology or travel (or both if you’re like me) needs to get their hands on this book. Not to mention it’s absolutely beautiful with both the dust cover and naked (and the paper is really good quality which might seem like a weird thing to add, but honestly, I love when the paper is think and good quality).