Review: The City of Brass by S. A. Chakraborty

★★★★☆ | book one of 2023 | e-book

— what a brilliant first read of the year!


The City of Brass by S. A. Chakraborty is the first book in the Daevabad Trilogy. The tale is heavily grounded in Middle Eastern folklore and includes Arabian nights influences (I’m not all that familiar with Arabian nights but that is the consensus). The book is set in Egypt, and also Daevabad, the fictional land of the Daeva, Djinn and Shafit. As an ancient history graduate, I loved the setting of the book. It brings me joy to recognise things like the Euphrates River, and the use of ziggurats in the Daevabad capital, not to mention the setting of Cairo. The book includes a rich fantasy world and a diverse range of characters set within a highly political city.

I did find it confusing at times, I wasn’t sure if it was because I didn’t pay enough attention to something important early on in the book, or if it really just wasn’t all that clear throughout. I found it difficult to keep the machinations of the world in order, the difference between the Djinn and the Daeva, which tribes liked whom and which were enemies. It didn’t necessarily ruin the book for me because I personally love deep world building, complex political situations and when authors are uncompromising with their world, however, I often found myself reading but not completely understanding what was going on.

The general air of confusion I had while reading it made it difficult to ascertain which characters were on whose side, however I still enjoyed the diverse cast of people. Loved the MC Nahri in the beginning as a conwoman who basically fell into this new world, but towards the end she became less interesting to me. Ali is a complex character who I really enjoyed being in the mind of, and Dara, well, he always gave me weird vibes but I also can’t help but feel bad for the guy and I definitely liked him a lot for the first half / 3/4 of the book — definitely harbouring conflicting feelings for him. The book was more violent than I was anticipating, but overall I think it added to the authenticity of the story, and heightened the risks.

Overall, I really enjoyed reading this book. I struggled to put it down despite my comprehension issues at times. My confusion around some of the terms and the world itself didn't really affect my enjoyment, and the ending has me picking up the next book right away.

Have you read this book or this series? Let me know what you think of it!


Review: River Kings by Cat Jarman

★★★★☆ — thanks to Pegasus Books for providing me with the e-book of River Kings! In true Kelly fashion though, I did eventually go out and buy a paperback edition as well.


River Kings, written by bioarchaeologist Cat Jarman (who is also a field archaeologist who specialises in the Viking Period) takes a small carnelian bead found in the site of Repton and follows what may have been its journey through the Viking world all the way to Baghdad and India. Jarman works with DNA analysis, isotope analysis and radiocarbon dating of the archaeological finds to trace the Vikings from Britain, through Scandinavia and ultimately uncovers greater interaction and movement between the west and the east. Jarman uses these new scientific methods to gain new information from the bones and teeth of bodies we have known about for years, but now we can understand through the isotope analyses of bones and teeth where these people were born, their some of their migration history and even the type of diet they had. Using new scientific discoveries, archaeological evidence and the historical record (taking into account their bias and unreliability), Jarman starts in Repton, Darbyshire and follows the journey of a single carnelian bead through the world of the Vikings, using other objects as stepping stones to gain a new understanding of the movement and trade in the Viking world between Britain and as far as Gujarat, India, where the carnelian bead may have begun its journey.

At the beginning of each chapter, Jarman contextualises the object that will be the focus of the coming chapter in either a fictional or non-fictional way, imagining how it may have been used in the Viking world, or telling us of its modern history such as when it was discovered. It made me think of the structure of The Real Valkyrie which did something very similar at the beginning of each chapter! Early on, Jarman highlights issues she and other scholars and archaeologists face when interpreting evidence from the Viking world and doesn't hesitate to err on the side of caution when proposing solutions for issues in the book. Jarman introduced the old information, the new scientific information and even the biased and unreliable historical information and then proposes a tentative conclusion that gives the reader the opportunity to agree with her interpretation of the evidence, or to disagree. Her own personal experiences and insights really enriched the book, and gave weight to her suggestions and conclusions throughout the book.

The graves we find are multifaceted: we have no way of knowing whether those items even belonged to the deceased or whether they were gifts placed there by the mourners. They may not even reflect much about the person’s life… The dead do not bury themselves. (21)

…but unless you have another form of proof, it is practically impossible to prove the intention behind their death (38).

I am fascinated with the archaeology of death, and Jarman takes the time to highlight the issues surrounding interpretations of bodies, grave goods, identities and even the intention behind violent deaths and she does it succinctly, and early on in her book which really sets the tone for her interpretations and tentative conclusions later on. Jarman suggests caution when interpreting scientific evidence, and that we can only glean so much from the bones and the teeth about an individual. Honestly, it completely blew my mind, the things that we can learn from the different types of scientific dating and analysis.

Jarman dedicates much of her book to women in the Viking world and their place in the archaeological record, as well as slaves and their lack of representation in the record despite the lucrative slave trade we know was being conducted during this time. So much of this book fascinated me, and one of those things was how the early work at Repton overlooked women due to their skewed views on women at the time. Not to mention the dispute over the warrior woman found at Birka and the interesting discourse surrounding her. It has been questioned that just because she was buried with weapons does that make her a warrior in life, but these kinds of questions aren’t ever asked about men buried with weapons… Another topic of personal fascination is the discussion around how we cannot know the social significance and meaning of exotic goods in the Viking social context, and the recontextualising of material objects between different groups and cultures can transform their purpose and function. Were they a show of status and wealth? Did exotic goods show an individual’s power?

…genetics is not going to give us the ultimate answers: cultures and identities are far more complex and there is no such thing as a ‘genetic Viking.’ (128)

River Kings is like a stepping stone to even more answers about the Vikings, the objects they left behind and their, movement throughout their known world. As more testing is conducted and new evidence is found, more and more will be understood about the Vikings, and this book is like the first piece of the puzzle on the journey to understanding the whole picture. Not only does Jarman work to understand how a single carnelian bead ended up in a Viking burial at Repton, but she stresses the importance of our understanding of how these types of objects fit into the wider Viking world. This book is a truly rich insight into the trade and movements of people, beliefs and objects in the Viking world, and I could not recommend it enough to any lover of archaeology, ancient trading and the Vikings.

Have you read River Kings? What did you think of it? Do you have any book recommendations for lovers of Vikings? Let me know in the comments of this post, or over on my Instagram @kell_read

Review: Queens of Jerusalem - The Women Who Dared To Rule by Katherine Pangonis

★★★★☆.5 | ebook | book eleven of 2022 — I was provided a free PDF copy of Queens of Jerusalem from Pegasus Books


A kindle reader is on white linen to the left of small purple flowers with long green stems. The kindle is showing the book cover of Queens of Jerusalem by Katherine Pangonis

Queens of Jerusalem: The Women Who Dared To Rule by Katherine Pangonis is a non-fiction book focussed on the lives of the royal women who ruled in the Medieval Middle East (or Outremer) from 1099 to Saladin’s conquest of Jerusalem in 1187. These women have been consistently overshadowed by the kings and leaders of the crusades, and this book strives to change that. By putting the Queens of Jerusalem, the Princesses of Antioch, and the Countesses of Tripoli and Edessa to the fore, readers not only get a brand new look into the history of Outremer during the early crusades but they are reminded that women were present and active during this time in history. It is about time these strong, ruling ladies were brought to the forefront of history, and Queens of Jerusalem does just that.

They have been remembered as the wives, mothers, daughters and sisters of powerful men, not as autonomous individuals and active leaders with their own political agency (Pg. 22)

Pangonis begins with Morphia of Melitene, Queen of Jerusalem and mother of four more influential women in Outremer history; Queen Melisende of Jerusalem, Princess Alice of Antioch, Countess Hodierna of Tripoli and Abbess Yvette of Bethany and describes the lives, events and obstacles overcome by all of these women and their daughters, nieces and step-daughters including Princess Constance of Antioch, Agnes of Courtenay and Queen Sibylla of Jerusalem among others. Of course, Pangonis hasn’t failed to include probably the most well known Queen during this time period, and that is Eleanor of Aquitaine. Although Eleanor of Aquitaine wasn’t a ruling woman of Outremer but instead Queen of France, and then Queen of England, Pangonis makes a very convincing argument that Eleanor’s time with her husband during the Second Crusade in Outremer affected her in later life and shaped her into the woman she has been remembered as.

As someone who has learnt about the Crusades and Medieval Europe, I was embarrassed to admit the only name I recognised in this list of influential women was Eleanor of Aquitaine, but now that has all changed. Pangonis has done an exceptional job relating the history of Outremer and the Holy City of Jerusalem from the coronation of Queen Morphia of Jerusalem to the resilient Sibylla, Queen of Jerusalem who defended her city and her people against Saladin. Her writing style is accessible, entertaining and clear. At times, I forgot I was reading a non-fiction account of real people, such is Pangonis’ talents at recounting the lives of these women. Often embroiled in scandal the lives of the elite of Outremer read like a Medieval sitcom with whispers of affairs and men choosing to marry the daughter instead of the mother. It is equally surprising (given how interesting these women were) and unsurprising (given the time period in which they lived) that the main chronicler of the time, William of Tyre, gave so little mention to the queens, princesses and countesses of Outremer. William began the trend of excluding the women of Jerusalem from the records, but this book works tirelessly to undo his shortsightedness.

He [William] does not give much credit to the notion that the women he writes about were individuals as complex as the men, and he prefers to cast women as literary tropes rather than depict them as living, breathing humans (Pg. 36)

A most interesting discussion that is carried through the book is the difference between having power and having authority. For example, Constance the rightful princess of Antioch had authority as the daughter of Bohemond II, the granddaughter of Bohemond I and the mother of Bohemond III but only half of the surviving charters her husband Raymond issued were with her consent (158-9). This suggests that although she was a princess and held that position of authority in her own right, she didn’t seem to wield any political power. Pangonis demonstrates this difference between power and authority numerous times throughout her book, and often brings in the other women to make comparisons with, such as Constance and Raymond compared to the reigning couple her aunt Melisende and Faulk.

Queens of Jerusalem truly gives the voice back to the ruling women of Outremer from 1099 to Saladin’s conquest of Jerusalem in 1187 and is a wonderful read for lovers of medieval history, revisionist history and books on the lives of women. It has been written with care and consideration of both bias from the medieval chroniclers, and the issues involved in modern terminology and views of feminism and misogyny.

The way women are presented within chronicles may not actually reflect the reality of their standing in society. With this in mind, the word ‘misogyny’ can only be uncomfortably applied to medieval society, but it may be more comfortably applied to medieval chronicles (Pg. 35)

This was a wonderful and incredibly insightful read, filling a gap in the literature of the Medieval Ages that has been empty for too long. If you have read this book, I would love to hear your opinions! Make sure to let me know in the comments or you can find me @kell_read on Instagram

Review: The Real Valkyrie: The Hidden History of Viking Warrior Women by Nancy Marie Brown

★★★★☆ I was provided this ARC for a review from St. Martin’s Press. You can find my interview with Nancy on Youtube, and a reduced transcription of it on World History Encyclopedia!


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What’s the book about?

The Real Valkyrie: The Hidden History of Viking Warrior Women by Nancy Marie Brown is, at its core, working to dispel the myth that Viking women stayed at home whilst the Viking men raided and traded. In 2017, DNA tests revealed that the body buried in grave Bj581 outside the Swedish town of Birka between 913 and 980 wasn’t the body of a male Viking warrior as initially assumed, but that of a female in her thirties or forties. Buried with the body was numerous weapons including an axe blade, spearheads a two-edges sword, a sax knife and a short bladed knife as well as a set of game pieces, a whetstone, traders weights, a comb, a bronze bowl and two horses (among other things). The assemblage of this burial initially caused assumption that the body was of a male, and specifically a warrior, but since we now know that it’s a woman buried with this warriors assemblage, Nancy has taken it upon herself to write a book highlighting what feels like all the times women proved their worth in the Viking Age, and the times their strength, cunning and ruthlessness was assumed as myth.

Thoughts on the book

It is obvious that this book was extensively researched. Nancy utilises sagas, poems and epics of the Vikings in conjunction with archaeological and historical evidence to question the way in which females from the Viking Age have been viewed for centuries. Rather than simply providing the evidence that women from the Viking Age have been sorely misremembered thanks to the act of sexing graves by metal, the reflection of Victorian sensibilities of the nineteenth century placed on the Viking Age and the tendency for Icelandic writers of the 12th and 13th centuries (I’m looking at you Snorri Sturluson) to mythologise and generalise the female warriors as valkyries, Nancy merges fiction and solid evidence which captures the readers interest. In order to humanise the skeleton found in Birka, Nancy names the body from Bj581 Hervor, which translates to something like Aware of Battle, after the warrior woman from the old Norse poem Hervor’s Song. Nancy begins each chapter with a fictionalised story, a bit of what Hervor from burial Bj581’s life could have been like, based upon the historical, textual and archaeological evidence provided throughout the book. Nancy not only provides the evidence for warrior women, but then imagines just how a Viking woman could have lived during the time of Bj581’s life. I found it incredibly fascinating and enjoyable to read how the physical evidence may have been interacted with during the Viking Age, in addition to these imagined sections being a breath of fresh air amidst a detailed and well researched book. One thing that annoyed me through this book was when ‘an archaeologist states,’ or an ‘expert historian says…’ I’d LOVE to know which one.

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Not only does Nancy debunk common beliefs that Viking women were buried with keys which signified their role as housewives, (whereas men were buried with weapons which signified their roles as warriors, raiders and traders), she exposes the bias placed onto the sagas, poems and written sources we have of the Viking Age which were all written a few hundred years after the fact. These biases come from both the values of Victorian society and Christianity, where women were confined to the home. These strict gender lines, as shown through the extensive historical and archaeological evidence provided by Nancy, simply were not there during the Viking Age. Looking at Viking women’s graves alone shows how weapons were more commonplace than keys. I loved the incorporation of other female warriors which we know of from poems as saga’s, as well as historical Viking queens detailed in concurrence with archaeological evidence found throughout the Viking world. Going into detail about clothing, textiles, trade, architecture, boats, social hierarchies, Norse legends, historical and mythological figures and everything in between, no stone is left unturned in this detailed look at the importance of women, their roles and their importance in the Viking world. If you’re interested in relearning everything you think you know about women, queens and female warriors in the Viking Age, then you should definitely pick this book up.

Review: A Touch of Ruin by Scarlett St. Clair

★★★★☆

A Touch of Ruin is book 2 in the Hades and Persephone series by Scarlett St. Clair, and, once again, I listened to the audiobook. This time though, I listened to it at 1.2x speed and it was SO MUCH better! The narrator drawled less, and it seemed like there was more enthusiasm in her narration. Whether it’s due to the fact that I sped it up, or if she was just better this time I’m not sure, but if you decide to listen to the audiobook, definitely speed it up! I have been really enjoying listening to books, it’s easy to make notes and the emotion and extra layer of performance you get is so wonderful. Another point here is that this book is written SO WELL! I love the writing style and I would recommend this series to everyone!

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Much like book 1, I still have VERY conflicting emotions with this book (and series). In saying that, this book and whole series so far is incredibly binge-worthy and addictive and I am mildly obsessed with this series 😍 I was hoping that after the events of book one, Persephone would begin to grow as a person, to trust Hades, and continue to improve her communication skills with the man she claims to love. I hoped to see her healing from her mothers’ treatment of her, and growing into her newfound power and position next to Hades. What I got instead was an increasingly annoying, stupid, bratty, and insecure Persephone, who seemed to learn absolutely nothing from the events of Book 1. I can understand the insecurity she continues to feel, she was locked up by her mother for so long, and was taught to believe that she had to work hard for love and affection, and if she did something wrong it would be taken away. I understand how this can mess with a person, but this doesn’t have to make a person PLAIN STUPID?

“The first rule of men, Persephone, is that they’re all idiots.”

Scarlett St. Clair

In the last, maybe 2 chapters did I begin to actually warm to Persephone, but I don’t think she actually learned from any of her mistakes?? (And there were A LOT she could have learned from). I think she feels guilty and feels remorse, but I also think she still feels bad for herself more than actually learning from the mistakes she has made. This brings me to the question of why Hades deals with her? I know that they’re fated to be together blah blah, but they’re both immortal? Why not let her grow up a bit rather than dealing with her absolute crap. Persephone uses 98% of this book to lie to Hades, break the multiple promises she has made to him, and then wonder why he leaves her to her own space? She never gives him the chance to explain himself, and although he makes mistakes, at least he is trying? He has MILLENIA of habits he needs to unlearn, and the fact that Persephone expects him to be perfect within months of meeting is so selfish and self-absorbed. I was really hoping their communication would improve in this one, and that’s one more thing that I didn’t get. I got more weird, passive-aggressive sex scenes and arguments that were never resolved. However, every time Hades asks Persephone if she is well makes my heart melt.

I definitely don’t agree with Jaison’s treatment of Persephone though. Yes, he is Lexa’s boyfriend, but Persephone has been best friends with her for YEARS, and the fact that Jaison is Lexa’s significant other does NOT undermine the relationship between the friends. Like, I’m sorry but his attitude was atrocious and I’m pretty sure he never apologised. I also found this subplot (or actual plot?) quite out of place. This leads me to the issue of the plot? Where was it? Someone tell me where it was, because I have no idea. There was a lot of sex, and there was a lot of brooding and whining but not a lot of actual events or communication. There were a bunch of subplots that I felt were left open, but probably not important enough to be resolved in the next book, and the fact that at one point, Helen was left in the lobby waiting for Persophne and then never mentioned again? I don’t vibe.

“Create the life you want, Persephone, and stop listening to everyone else.”

Scarlett St. Clair

What I DO vibe with, is pretty much all of the secondary characters; Hermes, Hecate, Sybil, Thanatos, and even Apollo. In the beginning, as I’m sure that St. Clair wanted, I felt for Sybil and hated Apollo. Throughout the course of Persephone writing slanderous articles about a god after being specifically asked not to (???), Apollo started to grow on me. I’m not completely sold on the fact that after millennia of being a god and acting how he has, Persephone does like, three things, and Apollo decides he wants to change? But, apart from this, he started to grow on me. Hermes is still 100% my favourite character in this book, he is the sassy comedic relief we really need in this book after pages and pages of constant whining and literally NOTHING HAPPENING. We definitely didn’t get enough of Hecate in this one (thanks to Persephone being so stubborn and ignoring the underworld altogether).

So, with another chaotic review completed, it is safe to say that I will keep reading this series and I TRULY hope that Persephone is redeemed in the next one. Keeping this review non-spoiler was so difficult, especially due to the number of random small subplots sprinkled through the chaotic book (that’s right, I reckon my review and this whole book are both chaotic). I got 2 chapters of bonus content at the end of the audiobook from Hades’ point of view, and I want to read the series from his POV SO BAD! I’ve enjoyed the three chapters I’ve been blessed in his point of view more than I’ve enjoyed most of this book in Persephone’s. If you’ve read this book, what are your thoughts? Did you like it more than book one? Let me know here, or find me over at @kell_read on Instagram!

Review: A Court of Wings and Ruin by Sarah J Maas (Re-read)

★★★★☆.5

This was another re-read in lead up to A Court of Silver Flames, which has very recently come out! The difference between this one and the previous two books is that I have only ever read this one once, and honestly, I could barely remember anything that happened… I realised as I was reading it that it was probably because not a lot actually happened. (There will be spoilers for the previous two books in this review, but will be spoiler-free for A Court of Wings and Ruin!) 

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This book felt much more character and politically driven than the previous two books. There were less major events, and more small choices and character interactions which fuelled the majority of it. For me, I really didn’t mind it. I love a book that is heavily character-driven, but I understand other people’s issues that not enough happened until like, the last 100 pages. With that being said, I really enjoyed the beginning of this novel, with Feyre working as a double agent in the Spring Court. It was such a thrill, and the changing relationships and dynamics between the characters was so interesting, compared to the beginning of ACOMAF. 

I loved seeing more of the world, and finally being introduced properly to all of the High Lords. All of their different and unique characteristics, and how they work within their courts was one of my favourite aspects, and the politics between them was tense but also humorous. The most character development and focus though, was definitely on Elain and Nesta. After being forced to turn into Fae at the ending of ACOMAF, seeing how the two dealt with this massive change in their lives in such different ways was really well done. 

Kindness can thrive even amongst cruelty.

Sarah J Maas

One of my biggest peeves in this book is the use of the word ‘Hybern’. We have heard the King of Hybern in previous books, and it has been shortened to ‘Hybern’ when characters are talking about the king, but in THIS book!!! It meant SO MANY things. It was the king, a place, his armies?? and his people in general?? It made absolutely no sense?? I feel like Maas just lost the plot with that particular aspect of the book, it was so confusing!! Is it a place??? Is it the name of this man?? The name of his army?? Please, someone, let me know what is going on 😂

I find it wild, that Lucien left on his mission (keeping the specifics quiet cause spoilers), and then everyone just forgot about him and didn’t communicate with him at all until he showed up later. Not to mention, the ending! Honestly, many aspects of the ending were out of character and hard to believe (yes, it’s a high fantasy novel, but you know what I mean!) It was anticlimactic in a way I forgot about during my first reading of it, and that definitely impacted my final rating which I downgraded to a 4.5 out of 5 stars. 

Night Triumphant- and the Stars Eternal.

Sarah J Maas

I still really enjoyed this book, and this entire series, but ACOMAF is 100% my favourite book of this series. I will be reading A Court of Frost and Starlight before finally moving on to A Court of Silver Flames. I love books with multiple POV’s which is what I would have LOVED from this series, even just this last book! Each character had their place in this finale to the initial trilogy, and it would have been so wonderful to see some of it from a different point of view (although to be fair, Feyre steadily got more interesting and less annoying as the books went on). This is probably the aspect I am most excited about A Court of Frost and Starlight (which will be a re-read) and A Court of Silver Flames. Let me know what you think of this book!! Of course, if you have spoilers you want to rant about, find me on Insta @kell_read!

Review: A Court of Mist and Fury by Sarah J Maas (Re-read)

★★★★★

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This is a non-spoiler review, but it will have spoilers for ACOTAR (fair warning). Just like ACOTAR, this was my 3rd reading of A Court of Mist and Fury, with the last one being about 3 years ago. This one is without a doubt, my favourite book in the series. It turns out that my taste in books hasn’t changed at all and this was still very much a 5 star read for me. This book had so much more going for it than ACOTAR, it had more depth in every aspect from character development, relationships, world-building, and just general tension, angst, and events. It absolutely hooks you in from the very first chapter, and doesn’t even release its grip after you finish it. 

Let’s start with the addition of the new characters; Cassian, Azriel, Mor, and Amren. I absolutely adore them all. They are all so unique, but all work so well together. Learning about each of their backstories, as well as Rhysands, and how they became the family that they are is truly one of my absolute favourite aspects of this book. The banter between the inner circle, and how they’re so comfortable with each other gives much of this book such a homely feel to it. 

“He thinks he’ll be remembered as the villain in the story. But I forgot to tell him that the villain is usually the person who locks up the maiden and throws away the key. He was the one who let me out.” 

Sarah J Maas

The main focus of this book is Feyre, how she is dealing with the events from Under the Mountain, and her personal development as a Fae. The treatment of PTSD, and highlighting the importance of having people around you who understand and are there for your well-being is so prevalent in most of this book. Feyre learns so much about how she has changed, physically and mentally from before the events under the mountain, and she realises what she deserves and DAMN I’m here for it. Because Tamlin, Ianthe and even Lucien (poor Lucien), acted like such trash. Their treatment of Feyre, their continuous exclusion of her and their inability to see that she was obviously struggling really bothers me. Every time I read this book, their actions make me queasy. And don’t for ONE second tell me that Tamlin never, not once, woke up to Feyre vomiting, like excuse me. No. 

I have always loved Rhysand as a character, but never more than in this book. Not only do we get to understand who he is, but we learn about his history and the lasting effects of what he had to do Under the Mountain. He is exactly what Feyre needed, and it frustrated me how long it took her to realise that he was a good guy, and was doing what he could to help her because he FULLY understands how she feels. He didn’t need to be connected with her to understand the darkness inside her from what she had done. It’s just, so much more complex than ACOTAR in every way and I really loved it. 

“To the people who look at the stars and wish, Rhys.” Rhys clinked his glass against mine. “To the stars who listen— and the dreams that are answered.”

Sarah J Maas

Getting to see more of Prythian and this world is another wonderful part of this book. Here we get to learn about the Night Court, we get to understand how courts differ more than just whether they’re Spring, Summer, Dawn, etc and the choices that the High Lords can make. We get Velaris, we get the Court of Nightmares and we get an introduction into the Illyrians. Just, so good. Plus, the writing definitely felt improved from the first one. 

This book had a lot of brilliant development in it, for the characters, relationships, the main plotline (which I won’t get into because spoilers), political tensions, and the world as a whole. If you loved this book, if you hated this book, I’d love to hear your thoughts/rants and opinions! Got spoilery stuff ya want to rant about? Feel free to send me a message on Insta, you can find me at @kell_read!!